The 2010 Exhibition of Austin Texas area artists opened on Friday, February 19th at Austin City Hall. Over 140 works in all media were on display, chosen from over 1,300 submissions by 325 local and regional artists. The opening for the exhibit was well attended as people filled the magnificent copper and limestone space designed by renowned architect Antoine Predock. (For more images of Austin City Hall, see my portfolio: www.albradenphoto.com/portfolios/austin_city_hall.php or search by subject at my archive: www.albradenphoto.com/stock.php.)

Hundreds gather for the opening of the annual exhibition of local and regional art in Austin.
The People’s Gallery 2010 is assembled under the direction of Jean Graham of the City of Austin Cultural Art’s Division. The exhibit fills three floors of the building. This year’s works were selected by Sean Gaulager, Artist and Co-Founder of Cantanker Magazine; Andrea Mellard, Assistant Curator, Austin Museum of Art; and Risa Puelo, Assistant Curator, Blanton Museum of Art at the University of Texas.
Austin Mayor Lee Leffingwell opened the exhibit with remarks on the dynamic growth of the visual arts community in Austin which is now taking place alongside the well known Austin music scene. The city is strongly supportive of the arts and recognizes the importance of a vibrant creative community.

Mayor Lee Leffingwell opens the People's Gallery 2010 Exhibition.
For the exhibit, Jean Graham positioned several works together that speak to immigration and border concerns. Included in this area is a sculpture by Richard Mansfield, Beginning of the World which incorporates a globe, planets and other objects in a way that addresses “relationships – and often conflicts – in society.” Nearby, two large paintings by Alonso Rey-Sanchez portray the humanity of immigrants as balloons floating across borders and landscape. My triptych on the border fence shows the harsh reality that confronts those same people on the ground.


Border Fence and Ditches, Fabens, TX by Al Braden, 60 x 28 Archival Pigment Print.
This triptych images the border at El Paso del Norte as a line of tension – an iconic prison built around ourselves.
Keeping ‘others’ out!
Or us in?
Both, it feels, as I approach the fence in silence under the eye of Border Patrol. I wonder where the river is, what we have lost and how to preserve relationships across this stream. Cease living in fear of our own heritage. My images present the beginning of a larger work to see the entire Rio Grande / Rio Bravo in contemporary terms.